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Literature Text
In the middle of kissing you and a heat wave, I become grateful that you don’t write about me, that you don’t write at all. I am terrified of the horror in my own history, the trail of bodies I have left, the number of teeth I have pulled from your skull, the times you told me you loved me and I looked away, out the window.
How would you put me into words, what will you whisper to the women who come after me, who ask you where you learned to kiss like that? My body is a map of a hometown you’ve never left. My collarbones are a cellar in which you’ve been locked your entire life. You have never seen the sun.
And this is how I write about you: cruelly.
I have written about the times I’ve left you cold and shaking, the times I’ve told you that everything you are was not enough.
I haven’t quite found the words for the way your broad shoulders curve when you pull me towards you, against the solidity of your chest. The words are shelter, solidity, safety; I can write them now.
There was the time I wrote about shoving you away from me, sitting down at my kitchen table and forcing you to watch me take off my fingernail polish because, while you was kissing me sweetly, I’d imagined myself sinking a kitchen knife into your chest.
I never told anyone nor made any record of the way you looked at me the morning I made myself breakfast in front of you so I didn’t have to swallow pills meant to keep me empty on an empty stomach. I didn’t even write about how much I hated you for a week, hated that we could have ruined our futures, hated that I would have named it after my great-grandfather if it were a boy. I never even whispered to my best friend how you wore your guilt like a scarlet letter and your fear seeped through your fingers when you tried to touch my shoulder and I, scared enough already, turned away.
My diary doesn’t even know about the times we’ve driven up above the city and you let me tell you I’d burn it to the ground. Nor does it know about kissing you in thunderstorms, driving you home when we had to pull over twice so you could vomit vodka and you called me beautiful. My diary doesn’t even know your name.
But I have written about changing the radio in your car and snapping my gum and trying to keep you from telling me anything. I have written about kissing you in an elevator three states away. And running, always have I written about running away from you.
And I have written about the other man, the one who swims below the surface of every drunk conversation I have with you, Ahab’s white whale of obsession, rearing his head above the water and flashing his terrible teeth at your sails from time to time.
I have never written the truth.
I haven’t written about the way your skin tastes like salt in the middle of a heat wave and kissing me, when I am grateful you’ve never read the things I’ve written about you and you’re asking if the look on my face means I’m sad.
I send you out into the burning city, sit down, and reach for a pen.
How would you put me into words, what will you whisper to the women who come after me, who ask you where you learned to kiss like that? My body is a map of a hometown you’ve never left. My collarbones are a cellar in which you’ve been locked your entire life. You have never seen the sun.
And this is how I write about you: cruelly.
I have written about the times I’ve left you cold and shaking, the times I’ve told you that everything you are was not enough.
I haven’t quite found the words for the way your broad shoulders curve when you pull me towards you, against the solidity of your chest. The words are shelter, solidity, safety; I can write them now.
There was the time I wrote about shoving you away from me, sitting down at my kitchen table and forcing you to watch me take off my fingernail polish because, while you was kissing me sweetly, I’d imagined myself sinking a kitchen knife into your chest.
I never told anyone nor made any record of the way you looked at me the morning I made myself breakfast in front of you so I didn’t have to swallow pills meant to keep me empty on an empty stomach. I didn’t even write about how much I hated you for a week, hated that we could have ruined our futures, hated that I would have named it after my great-grandfather if it were a boy. I never even whispered to my best friend how you wore your guilt like a scarlet letter and your fear seeped through your fingers when you tried to touch my shoulder and I, scared enough already, turned away.
My diary doesn’t even know about the times we’ve driven up above the city and you let me tell you I’d burn it to the ground. Nor does it know about kissing you in thunderstorms, driving you home when we had to pull over twice so you could vomit vodka and you called me beautiful. My diary doesn’t even know your name.
But I have written about changing the radio in your car and snapping my gum and trying to keep you from telling me anything. I have written about kissing you in an elevator three states away. And running, always have I written about running away from you.
And I have written about the other man, the one who swims below the surface of every drunk conversation I have with you, Ahab’s white whale of obsession, rearing his head above the water and flashing his terrible teeth at your sails from time to time.
I have never written the truth.
I haven’t written about the way your skin tastes like salt in the middle of a heat wave and kissing me, when I am grateful you’ve never read the things I’ve written about you and you’re asking if the look on my face means I’m sad.
I send you out into the burning city, sit down, and reach for a pen.
Literature
I, the Masochist
It left a taste in my mouth, like swallowing
A handful of salt water. I had
Loved you in my sleep, waking up to wonder
If the devil had at last taken me. I gave my soul away
To spiders made of ink.
The ground looks so much softer
From six thousand feet above; I knew this fall
Before sweet dreaming, midnight wishes, all
Glasgow smiles and gnashing teeth. And you would pick
The skin from my lips for those
Copper kisses and say that it
Was only for a little while.
Literature
Goodbye
i didn’t fall in love with you
until your skin was already grey and i
had to tell you what the weather was like
since you couldn’t leave your bed.
i didn’t mind long nights in the hospital
because making you laugh brought a warmth
to my cheeks that burnt hotter than a
forest fire, you never laughed at me for blushing
i snuck you in alcohol and forbidden foods
and pushed you around in that rusted wheel chair,
and all the nurses looked at us with
miserable eyes that said more than the doctors
would ever tell me.
naively i thought it was good news
when you said they were sending you home; but
when i saw you strewn across
Literature
The human condition of wanting to be everything
I feel as though I am exhausting
The excess skin around
My eyes
They
h
a
n
g
in loose shadows
Across my cheekbones like
A wreath.
And whilst I find myself
unable
To draw open the blinds
Because the light
is too bright
And I really can’t handle
The pane of the sky
With its obnoxious
Blue
glaring at me
With such a joyful expression
I know that lately
I am burning myself out
That I consume one too many
Cans of soda and energy drinks
At 2.45 AM
When the rest of the world
Is static in a hushed
Comatose state
Whilst I frantically try
To achieve something
Because being
Average
Ordinary
Mundane
Is too
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